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Evolution of a Painting

My latest painting based on a recent trip to New Zealand went through several iterations before I decided it was finished.  This is my description of how Into the Light went from there to here: the evolution of a painting.

First, I painted the basic shapes of the trees and forest land in very pale colors.  I then added masking fluid where I wanted the light to shine through in the final painting.

Into the Light, Stage 1

Into the Light, Stage 1

Then I added more color to everything.  The tree trunks are starting to look purple (brown is boring).

Into the Light, Stage 2

Into the Light, Stage 2

Again and again I added more color, and then more masking. The next step is to peel off the masking fluid using a “Lift-off Tool (a fancy name for a rubber eraser) to see what is left to do.

Into the Light, Stage 3

Into the Light, Stage 3

The remains of the masking now become a sculpture (using the term creatively).

Masking Fluid "sculpture"

Masking Fluid “sculpture”

Finally, I intensify some colors, in some cases painting into the areas previously covered by the masking.  The process is very similar to what I used to do with watercolor.  In fact, I have thinned the acrylic to the point where it functions like watercolor (although it’s permanent once it dries).

Into the Light

Into the Light        12×16         Acrylic      $850

NOTE: This final image looks very much like the final painting.  The previous images are “browned” because I used my iPhone in the studio at the Art Students League.  In spite of this, I hope you can still get a good sense of how this painting evolved.


Posted by ruthhurd on March 1, 2017
2 Comments Post a comment
  1. 03/2/2017

    Great process and result! Forests can be challenging and you have taken the work to another statement of motion as well. Wish I could see the original.

  2. 03/2/2017

    Yeah. Green is very hard. I’m not 100% happy with this, but if I come up with a solution, I’ll post it. To be continued…


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